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Fragments of the Body: Woman in Socialist Screen Advertising

dc.contributor.authorČesálková, Lucie
dc.date.accessioned2023-04-11T12:10:18Z
dc.date.available2023-04-11T12:10:18Z
dc.date.issued2022
dc.identifier.urihttps://hdl.handle.net/20.500.14178/1841
dc.description.abstractThe advertising of state socialism is often referred to as a paradox or oxymoron, yet it has produced images that shaped the consumer imagination and consumer values of socialist society. One of the critical topics in Czechoslovak socialist television advertising discourse was using an actor or a model. The socialist values of leveled consumption refused to promote consumption for property and create social distinctions through advertising and consumption. These beliefs fundamentally shaped the image of the body in socialist advertising. In this text, therefore, I discuss how the morality of socialist advertising, together with the evolving gender discourse, supported the methods of hiding, masking, or fragmenting the female body in socialist screen advertising. Based on the analysis of a vast corpus of advertisements, I follow the development of this trend from the 1960s to the 1980s, compare screen advertising with other types of advertising media, and argue that the reason for restraint in the explicit representation of the female body was, among other things, the specific hierarchy of the media in the geography of the consumer imagination of socialist Czechoslovakia.en
dc.language.isoen
dc.relation.urlhttps://doi.org/10.1080/2040350X.2022.2085363
dc.rightsCreative Commons Uveďte původ-Neužívejte dílo komerčně-Nezpracovávejte 4.0 Internationalcs
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivativeWorks 4.0 Internationalen
dc.titleFragments of the Body: Woman in Socialist Screen Advertisingen
dcterms.accessRightsopenAccess
dcterms.licensehttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
dc.date.updated2023-10-02T06:17:41Z
dc.subject.keywordbody imageen
dc.subject.keywordconsumer imaginationen
dc.subject.keywordgenderen
dc.subject.keywordSocialist advertisingen
dc.subject.keywordvisual cultureen
dc.relation.fundingReferenceinfo:eu-repo/grantAgreement/MSM/EF/EF16_019/0000734
dc.date.embargoStartDate2023-10-02
dc.type.obd73
dc.type.versioninfo:eu-repo/semantics/publishedVersion
dc.identifier.doi10.1080/2040350X.2022.2085363
dc.identifier.utWos000812072500001
dc.identifier.eidScopus2-s2.0-85132272258
dc.identifier.obd617196
dc.identifier.rivRIV/00216208:11210/22:10449537
dc.subject.rivPrimary60000::60400::60405
dcterms.isPartOf.nameStudies in Eastern European Cinema [online]
dcterms.isPartOf.issn2040-350X
dcterms.isPartOf.journalYear2022
dcterms.isPartOf.journalVolumeNeuveden
dcterms.isPartOf.journalIssue16 Jun 2022
uk.faculty.primaryId114
uk.faculty.primaryNameFilozofická fakultacs
uk.faculty.primaryNameFaculty of Artsen
uk.department.primaryId866
uk.department.primaryNameKatedra filmových studiícs
uk.department.primaryNameDepartment of Film Studiesen
dc.description.pageRangenestránkováno
dc.type.obdHierarchyCsČLÁNEK V ČASOPISU::článek v časopisu::původní článekcs
dc.type.obdHierarchyEnJOURNAL ARTICLE::journal article::original articleen
dc.type.obdHierarchyCode73::152::206en
uk.displayTitleFragments of the Body: Woman in Socialist Screen Advertisingen


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